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2000 / 2001 Touring Season
Schedule Subject to Change
- July 1, 2000: Cinema Lietuva, Vilnius Festival 2000, Vilnius, LITHUANIA.
- July 4, 2000: Auditorium di Milano, Milan, ITALY.
- July 6, 2000: Parco Naturale San Bartolo, Gabicce, ITALY.
- July 7 - 8, 2000: Cavea del nuovo Auditorium, Roma, ITALY.
- July 9, 2000: Peralada Castle Auditorium, Festival Castell de Peralada, Peralada, Girona, SPAIN.
- July 11, 2000: Teatro Cervantes, Málaga, SPAIN.
- July 12, 2000: Cemetery of Santo Domingo de Bonaval, Galicia Classical Music Festival, Santiago de Compostela, A Coruña, SPAIN.
- September 10, 2000: Filene Center, Wolf Trap, Vienna, Virginia, USA.
- September 18, 2000: Atlantisches Festival, Rhein-Mosel-Halle Koblenz, Koblenz, GERMANY.
- September 20, 2000: Großer Saal, Tonhalle, Düsseldorf, GERMANY.
- September 23 - 24, 2000: Lisbon Coliseum, Lisbon, PORTUGAL.
- September 26 - 27, 2000: Theater Casino, Zug, SWITZERLAND.
- September 29 - 30, 2000: Main Hall, Festspielhaus St. Pölten, St. Pölten, AUSTRIA.
- October 2 - 4, 2000: National Concert Hall, Dublin Theater Festival, Dublin, IRELAND.
- October 20, 2000: Centennial Hall, University of Arizona, Tucson, Arizona, USA.
- October 21, 2000: Gammage Auditorium, Arizona State University, Tempe, Arizona, USA.
- October 23, 2000: Mershon Auditorium, Wexner Center for the Arts, Columbus, Ohio, USA.
- October 25, 2000: Great Hall, Krannert Center for the Performing Arts, Urbana, Illinois, USA.
- October 27, 2000: Chicago Theater, Columbus Association of Performing Arts, Chicago, Illinois, USA.
- October 29, 2000: Northrop Auditorium, University of Minnesota, Minneapolis, Minnesota, USA.
- October 31, 2000: Hancher Auditorium, University of Iowa, Iowa City, Iowa, USA.
- November 2, 2000: Lied Center of Kansas, University of Kansas, Lawrence, Kansas, USA.
- November 4, 2000: Jones Hall, Society for the Performing Arts, Houston, Texas, USA.
- November 5, 2000: Bass Concert Hall, Performing Arts Center, University of Texas, Austin, Texas, USA.
- November 7, 2000: Roy Thomson Hall, Toronto, CANADA.
- November 9, 2000: Orpheum Theater, World Music, Boston, Massachusetts, USA.
- November 11, 2000: John Harms Center, Englewood, New Jersey, USA.
- November 14 - 15, 2000: Het Muziektheater, Amsterdam, THE NETHERLANDS.
- November 17 - 18, 2000: Auditorium de Lyon, Orchestre National de Lyon, Lyon, FRANCE.
- March 1 - 3, 2001: Kwai Tsing Theatre, Hong Kong Arts Festival, Hong Kong, CHINA.
Credits
- Original Music by PHILIP GLASS to Universal Pictures 1931 horror film classic DRACULA.
- Starring BÉLA LUGOSI as Dracula.
- With the film presented on the screen.
- Live Performers:
- PHILIP GLASS (keyboard).
- Michael Riesman (keyboard).
- KRONOS QUARTET:
- David Harrington (1st violin).
- John Sherba (2nd violin).
- Hank Dutt (viola).
- Jennifer Culp (cello).
- MICHAEL RIESMAN (conductor).
Tracks
- Dracula (1:15).
- Journey to the Inn (0:43).
- The Inn (3:24).
- The Crypt (1:17).
- Carriage Without a Driver (2:13).
- The Castle (3:12).
- The Drawing Room (1:08).
- "Excellent, Mr. Renfield" (2:48).
- The Three Consorts of Dracula (1:30).
- The Storm (1:34).
- Horrible Tragedy (1:22).
- London Fog (1:17).
- In the Theatre (2:50).
- Lucy's Bitten (2:23).
- Seward Sanatorium (2:57).
- Rentield (2:56).
- In His Cell (1:31).
- When the Dream Comes (2:09).
- Dracula Enters (4:01).
- Or a Wolf (4:40).
- Women in White (3:12).
- Renfield in the Drawing Room (3:26).
- Dr. Van Helsing and Dracula (2:22).
- Mina on the Terrace (4:41).
- Mina's Bedroom / The Abbey (3:52).
- The End of Dracula (4:06).
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Soundtrack available on Nonesuch 79542-2.
Notes
There have been many screen versions of the classic tale of Dracula, but none more famous or enduring as the 1931 original. Starring Béla Lugosi as the world’s most popular vampire and directed by horror specialist Tod Browning, Universal Studios’ Dracula creates an eerie, chilling mood that has rarely been realized since.
The famous American composer Philip Glass was asked to create the first original music score for the re-release of Dracula on video. In this early "talkie", there was no musical score and few sound effects. Browning relied on Lugosi’s legendary Hungarian accent. Glass composed the intense and sweeping Dracula score for the Kronos Quartet, the pioneering American ensemble hailed as "classical music’s own Fab Four" by Rolling Stone. It is one of the most intense and atmospheric scores Philip Glass has ever written for film. Returning to chill the senses in new ways, Dracula: The Music and Film is an incomparable evening of new music and a unique reinvention of an American cinematic classic – the perfect marriage of the live and undead.
Pictures
Please click inside a picture to view it in its full size.
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