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Philip Glass: La Belle et la Bete

From Point Music

New music visionary and modern opera pioneer Philip Glass has created his latest music theater work "La Belle et la Bete" ("Beauty and the Beast") to accompany the 1946 film of the same name by French author and filmmaker Jean Cocteau. The second project in Glass' Cocteau-based trilogy (commencing with "Orphee," and to be rounded out with "Les Enfants Terribles"), "La Belle et la Bete" is the newest installment in the canon of works by Glass released on Nonesuch Records-the tenth title of this artist on the label and a continuation of his significant work in music for opera and films. (Additional film/opera titles by Glass on Nonesuch include "Einstein on the Beach," Powaqqatsi," "The Thin Blue Line," "Mishima" and "Anima Mundi.")

The musical cast features mezzo-soprano Janice Felty as La Belle and baritone Gregory Purnhagen as La Bete, accompanied by the seven-member Philip Glass Ensemble - brass, woodwinds and keyboards - with numerous guest musicians, conducted by Michael Riesman.

Of the French filmmaker and his works, Glass has said, "For me, Cocteau has always been an artist whose work was central to the 'modern' art movement of the 20th century. More than any artist of his time, he again and again addressed questions of art, immortality and the creative process..."Orphee," "La Belle et la Bete," and "Blood of a Poet" are all extremely thoughtful and subtle reflections on the life of an artist. Of these three, "La Belle" is the most openly allegorical in style. Presented as a simple fairy tale, it soon becomes clear that the film has taken on a broader and deeper subject - the very nature of the creative process."

With its marriage of mystical romance and modern sounds, "La Belle et la Bete" has been proclaimed by TIME MAGAZINE "Glass's best work in years, an exhilarating and original ride... Remarkable not only in conception but also in execution, brimming with freshets of melody and surging with Wagnerian power in conjuring up a magic kingdom."





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