



Philip Glass: His music
Adams. His music is based on the extended repetition of a brief, elegant
melodical fragments that weave in and out an aural tapestry. Listening to
this music is something like watching a challenging painting that initially
appeard ststaic, but seems so metamorphose slowly as one concentrates.
Compositional material is usually limited to a few elements, which are the
subjected to transformation processes. One shouldn't except Westernized
musical events - sforzandos, sudden diminuendos - in this music;
rather, the listener is immersed in a sonic weather thtat surrounds,
twists, turns, develops. Glass prefers to speak of his work as "music with repetitive structures". His busy, tonal, aggressively rhythmic compositions would seem to mark a spiritual break with the spare, atonal and largely arhythmic world of the 50s and 60s avant-guardists. One thing is certain: Philip Glass has brought a new and enthusiastic audience to contemporany music.



GlassPages - Philip Glass on the Web 

